Codes and Keys
Tuesday, May 31st, 2011 In 2001, Death Cab for Cutie recorded “Why You’d Want to Live Here,” a scabrous—at least by the band’s gentle standards—hate letter to Los Angeles.
Demolished Thoughts
Tuesday, May 24th, 2011 “Delicate” and “quiet” aren’t normally adjectives that come within screeching dis tance of Thurston Moore, founding member of Sonic Youth and leading cause of tinnitus for much of the nineties’ Alternative Nation.
I Am Very Far
Wednesday, May 4th, 2011 Okkervil River’s Will Sheff is a man in love—but not with anything as trite as another person, or even fame or expensive drugs.
I’ll Never Get Out of This World Alive
Monday, May 2nd, 2011 There is much to admire about Steve Earle, from his passionate activism to his triumph over drugs and alcohol.
Cherish the Light Years
Wednesday, April 27th, 2011 Wesley Eisold is a Renaissance man—the former leader of influential hardcore bands American Nightmare/Give Up the Ghost is also a poet who maintains his own publishing house—but his tastes run decidedly to the gothic.
Wasting Light
Monday, April 25th, 2011 “My past is getting us nowhere fast/ I was never one for taking things slow.” Dave Grohl sings these words late on Foo Fighters’ seventh album, but backs them up throughout.
Stone Rollin’
Tuesday, April 12th, 2011 Former Tony! Toni! Toné! frontman Raphael Saadiq is a soul anthro–pologist, lovingly reinterpreting bygone eras of R&B for modern ears.
Collapse Into Now
Monday, April 11th, 2011 Following the release of 2008’s Accelerate, R.E.M. was celebrated for looking backward in search of an older, “classic” sound.
No Devolución
Tuesday, April 5th, 2011 Too cerebral to be emo, too emotional to be punk, too hardcore to be popular: There are plenty of reasons Thursday has never made the leap from underground adulation to mainstream consecration.
Blood Pressures
Tuesday, March 29th, 2011 “The Heart Is a Beating Drum” is both the pulsating third song on the Kills’ fourth album, Blood Pressures, and a sort of manifesto for the rawboned Brit-blues duo behind it.
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