Destroyed

Tuesday, May 24th, 2011 Moby doesn’t run from criticism.

Demolished Thoughts

Tuesday, May 24th, 2011 “Delicate” and “quiet” aren’t normally adjectives that come within screeching dis tance of Thurston Moore, founding member of Sonic Youth and leading cause of tinnitus for much of the nineties’ Alternative Nation.

I Am Very Far

Wednesday, May 4th, 2011 Okkervil River’s Will Sheff is a man in love—but not with anything as trite as another person, or even fame or expensive drugs.

I'll Never Get Out of This World Alive

Monday, May 2nd, 2011 There is much to admire about Steve Earle, from his passionate activism to his triumph over drugs and alcohol.

Cherish the Light Years

Wednesday, April 27th, 2011 Wesley Eisold is a Renaissance man—the former leader of influential hardcore bands American Nightmare/Give Up the Ghost is also a poet who maintains his own publishing house—but his tastes run decidedly to the gothic.

Wasting Light

Monday, April 25th, 2011 “My past is getting us nowhere fast/ I was never one for taking things slow.” Dave Grohl sings these words late on Foo Fighters’ seventh album, but backs them up throughout.

Stone Rollin'

Tuesday, April 12th, 2011 Former Tony! Toni! Toné! frontman Raphael Saadiq is a soul anthro–pologist, lovingly reinterpreting bygone eras of R&B for modern ears.

Collapse Into Now

Monday, April 11th, 2011 Following the release of 2008’s Accelerate, R.E.M. was celebrated for looking backward in search of an older, “classic” sound.

No Devolución

Tuesday, April 5th, 2011 Too cerebral to be emo, too emotional to be punk, too hardcore to be popular: There are plenty of reasons Thursday has never made the leap from underground adulation to mainstream consecration.

Blood Pressures

Tuesday, March 29th, 2011 “The Heart Is a Beating Drum” is both the pulsating third song on the Kills’ fourth album, Blood Pressures, and a sort of manifesto for the rawboned Brit-blues duo behind it.

Showroom of Compassion

Wednesday, January 12th, 2011 Cake are proud, bearded veterans of the nineties, a bygone era when quirky bands with spoken-word singers could not only find themselves on a major label, but also wind up with a radio hit or two.

Content

Monday, January 10th, 2011 GANG OF FOUR Content Yep Roc Rating: Post-punk nostalgia was all the rage for much of the past decade, as hypemachine mainstays like Interpol, Franz Ferdinand, and Bloc Party borrowed liberally from Gang of Four, nearly canonizing the 30-year-old English quartet in the process. Thankfully, Jon King and Andy Gill—half of the original Gang—won’t settle for being anyone’s [...]

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